Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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REMBRANDT Harmenszoon van Rijn
Selbstportrat mit toter Rohrdommel

ID: 92319

REMBRANDT Harmenszoon van Rijn Selbstportrat mit toter Rohrdommel
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REMBRANDT Harmenszoon van Rijn Selbstportrat mit toter Rohrdommel


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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | Susanna and the Elders (detail) | Portrait of Fam Six (mk33) | Alter Mann im Lehnstuhl | Portrait of Nicolaes Ruts | The Return of the Prodigal Son |
Related Artists:
Peale, Sarah Miriam
American Painter, 1800-1885 Painter, daughter of James Peale. The most notable of James Peale's painting daughters, she also studied with her uncle Charles Willson Peale and her cousin Rembrandt Peale, from whom she developed her talent for colour and precision in details. As studio assistant to her father, she occasionally introduced into his work bright and intricate fabrics. Her career began in 1817 with the exhibition of Flowers at the Pennsylvania Academy of the Fine Arts. In the 1820s she painted in Baltimore and Philadelphia; in 1824 she was elected to the Pennsylvania Academy. From 1831 to 1846 she maintained her studio in Baltimore where she was a popular portrait painter, producing unpretentious but intelligent and occasionally romantic portraits characterized by a fine concern for materials, as in Mrs Perry Eccleston Noel (c. 1822; Baltimore, Mus. & Lib. MD Hist.). Her sitters included such prominent politicians as Daniel Webster (1842; St Louis, MO Hist. Soc. Mus.) and Abel Park Upshur (1842; Baltimore, Mus. & Lib. MD Hist.). In 1847 Sarah moved to St Louis, MO, where for 32 years she was in great demand. From 1859 her still-lifes won prizes at the St Louis fairs; they were loosely painted works different from the tightly controlled table-top pieces of her father and sister. Sarah's portraiture also changed, from the elegant, precise Neo-classicism learnt from her cousin Rembrandt to a looser,
paulus potter
Paulus Potter (baptised on November 20, 1625 in Enkhuizen ?C buried on January 17, 1654 in Amsterdam) was a Dutch painter, specialized in animals in landscapes, usually with a low point of view. Before Potter died of tuberculosis, 28-years old, he succeeded in producing about a hundred paintings, working continuously. Few details are known of Potter's life. In 1628 his family moved to Leiden, and in 1631 to Amsterdam, where young Paulus studied painting with his father, Pieter Symonsz Potter. After his mother died, his father started an affair with the wife of Pieter Codde, also living in the fancy Sint Antoniesbreestraat. For some time his father was a manufacturer of gilded leather hangings outside the city walls. Potter became a member of the Guild of Saint Luke in Delft, but by 1649, Paulus moved to The Hague, next to Jan van Goyen. Potter married in the Hague and his father-in-law, who was the leading building contractor in the Hague, introduced him to the Dutch elite. Amalia of Solms-Braunfels, a member of the stadholder's family and an art-lover, bought a painting with a pissing cow, but some court ladies seemed to have advised against it. By May 1652, after a case about delivering a new painting, he returned to Amsterdam. Potter was invited by Nicolaes Tulp, who was impressed by his civilized behavior and politeness. Potter painted his son Dirck Tulp, but only changed the face on an earlier work he was not able to sell. Paulus painted a self portrait which was at Hackwood Park, Hampshire until 1998, it is now at Elibank House, Buckinghamshire.
Giovanni Camillo Sagrestani
(1660-1731) was an Italian painter of the Baroque era. A native of Florence, he was a follower of the style of Carlo Cignani. His major pupil was Matteo Bonechi (1672-1726) and Giovanni Battista Ranieri del Pace. Four canvases attributed to Sagrestani can be found in the church of Santa Maria della Fraternite in Foiano della Chiana. He also executed works in the church of San Frediano in Cestello, in the Oltrarno district of Florence. Paintings in the church of SS. Annunziata in San Giovanni Valdarno are attributed to Sagrestani. An Assumption of the Virgin is found in Nancy.






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